Todd L. Savitt
Widely regarded as the most comprehensive study
of its kind, this volume offers valuable insight into the alleged medical differences
between whites and blacks that translated as racial inferiority and were used
to justify slavery and discrimination.
In Medicine and Slavery, Todd L. Savitt evaluates
the diet, hygiene, clothing, and living and working conditions of antebellum
African Americans, slave and free, and analyzes the diseases and health conditions
that afflicted them in urban areas, at industrial sites, and on plantations.
"In all details of symptoms and sores and
cadavers, this is a meticulously researched analysis of medical and health conditions
and a valuable account of the relationship between black health and white society.
It is fresh and objective, and represents a major contribution to the understanding
of the pre-Civil War South and its peculiar institution." -- Times Literary
Supplement
"This impressive work contains a fascinating
analysis of sickle-cell anemia, heat and cold tolerance, lactose deficiency,
tuberculosis, and other ills that plagued the slave population." -- Choice
"No historian writing about slavery in
America should be without this masterful study. No one learning about slavery
should be without it. Savitt's work is indeed the definitive work on the subject."
-- Journal of Mississippi History
"Medicine and Slavery will be necessary
reading for all scholars dealing with black history and the antebellum south,
as well as those concerned with the history of medicine and medical thought."
-- Journal of American History
Todd L. Savitt is a professor in the Department
of Medical Humanities at the Brody School of Medicine, East Carolina University,
and coeditor of Disease and Distinctiveness in the American South.
August 2002
352 pages. 6 x 9 inches. 7 photographs, 10 line drawings.
Paper, ISBN 0-252-00874-X. $18.95
American History / African American Studies / Medicine
http://www.press.uillinois.edu/s02/griffith.html
"A book on the American Revolution so fresh
and continually surprising is a miracle at this
time. It is sharp, fast, and beautifully written. . .
. General Griffith has made it, for once, a
two-sided war." -- Barbara Tuchman
The War for American Independence provides
an unprecedented view of America's struggle for
independence in its world context. With wit,
clarity, and dramatic effect, Samuel B. Griffith
II vivifies the characters and incidents of the
period on both sides of the Atlantic, drawing
from personal diaries and letters, newspaper
accounts, and detailed battle maps to create a
unique alternative to standard histories of the
period.
This enduring, exceptionally readable resource,
first published in 1976 as In Defense of the
Public Liberty: Britain, America, and the
Struggle for Independence from 1760 to the
Surrender at Yorktown in 1781, was honored
with the Sons of Liberty Award for the best
book on the American Revolution.
"It is the insights which the author derives from
his own military experience and his willingness
to share these so frankly with the reader that
gives the book its distinctive character. . . . It is,
in the best sense, a soldier's view of the war." --
Economist
"General Griffith has put a global face on
Britain, America and the struggle for
independence over two centuries ago." --
Herbert Mitgang, New York Times
Brigadier General Samuel B. Griffith II,
U.S.M.C. (ret.), was wounded at Guadalcanal
and was awarded the Navy Cross in 1942 and
the Army Distinguished Service Cross in 1943.
He earned his Ph.D. in Chinese military history
at New College, Oxford University, and
published articles and essays in the New Yorker,
Town and Country, and the Saturday Evening
Post. He is the author of The Battle for
Guadalcanal and the translator of Mao
Tse-Tung's On Guerrilla Warfare and
Sun-Tzu's Art of War.
June 2002
784 pages. 6 x 9 1/4 inches. 57 photographs, 11 line drawings.
Cloth, ISBN 0-252-02745-0. $55.00
Paper, ISBN 0-252-07060-7. $24.95
Military History
http://www.press.uillinois.edu/s02/needham.html
Representing dancers,
scholars, admirers, and
critics, I See America Dancing is a diverse
collection of primary documents and articles
about the place and shape of dance in the United
States from colonial times to the present.
This volume offers a lively counterpoint
between observers of the dance and dancers'
views of what they do when they dance. Dance
traditions represented include the Native
American pow-wow; Congo Square, where New
Orleans slaves gathered to participate in
traditional tribal music and dance activities on
Sunday afternoons; the colonial Playford Balls
and their modern offspring, country line
dancing; and the Buddhist-inspired Japanese
Bon dances in Hawaii. Antidance perspectives
include government injunctions against Native
American dancing and essays from a range of
speakers who have declared the waltz, the twist,
or the senior prom to be a careless quick-step
away from hell or the brothel.
I See America Dancing examines the styles that
have marked theatrical dance in America, from
French ballet to minstrel shows, and presents the
views of influential dancers, choreographers,
and reformers who have shaped American
dance, including Isadora Duncan, John Durang,
Imre Kiralfy, Ted Shawn, Martha Graham,
Doris Humphrey, and Katherine Dunham.
Specific pieces examined include George
Ballanchine's ballet Stars and Stripes, Yvonne
Rainer's protest piece "Flag Dance, 1970," Bill
T. Jones's "Last Supper at Uncle Tom's
Cabin/The Promised Land," and Sonjé Mayo's
"Naked in America."
Covering historical social attitudes toward dance
as well as the performers and their works, I See
America Dancing is a comprehensive, scholarly
sourcebook that captures the energy and passion
of this vital artform.
Supported by a grant from Lifeworks
Foundation
Maureen Needham is an associate professor of
dance history at the Blair School of Music,
Vanderbilt University.
April 2002
296 pages. 6 x 9 inches. 12 photographs.
Cloth, ISBN 0-252-02693-4. $44.95
Paper, ISBN 0-252-06999-4. $18.95
Dance
French Roots in the Illinois
Country
The Mississippi Frontier in Colonial Times
Carl J. Ekberg
Winner of the Kemper and Leila Williams Book Prize for
the Best Book on Louisiana History, French Roots in
the Illinois Country creates an entirely new picture of
the Illinois country as a single ethnic, economic, and
cultural entity. Focusing on the French Creole
communities along the Mississippi River, Carl J. Ekberg
shows how land use practices such as medieval-style
open-field agriculture intersect with economic and social
issues ranging from the flour trade between Illinois and
New Orleans to the significance of the different
mentalities of French Creoles and Anglo-Americans.
"A great comprehensive revisionist work on colonial
Illinois. Quite simply, no respectable library--public,
college, or university--should be without this book."
Robert McColley, author of Slavery and
Jeffer-sonian Virginia
"Ekberg has produced an extraordinarily learned and yet
most readable book . . . [that] sheds subtle light on the
significant differences between the French and English
colonial experiences." Morris S. Arnold, Louisiana
History
"A scholar's delight. . . . Ekberg is the first historian to
call attention to the unique pattern of French colonial
settlement in Illinois." John Mack Faragher,
American Historical Review
"This book will remain the definitive study on this
subject for a long time. It should be required reading for
anyone, scholar or layperson, curious about life in the
French settlements in North America." Pierre Lebeau,
Journal of Illinois History
CARL J. EKBERG professor emeritus of history at
Illinois State University, is also the author of the
award-winning Colonial Ste. Genevieve: An Adventure
on the Mississippi Frontier.
October 2000
376 pages. 6 x 9 inches. 11 photographs. 21 line drawings
Paper, ISBN 0-252-06924-2. $22.50a
American History / Agriculture
July 26, 2002