Applied Voice at MSU Moorhead
Applied
Voice Instructors Courses
Available Voice
Syllabus
Staff Accompanist Policy
Recital Guidelines
Voice Recital Attendance Policy
The music department at
Minnesota State University Moorhead offers a variety of
courses in the area of voice. Applied Voice lessons are
offered at every level for students pursuing a music major
or minor, or who are
currently enrolled in an MSUM vocal ensemble (see
Choral Studies). Weekly
lessons include vocal study in Italian, German,
French, Latin and the English repertoire along with weekly performance
classes where a student has ample opportunity to perform. Vocal
Pedagogy, Diction and Song Literature are just a few of the
courses that are offered in the area of vocal study.
For further information please feel free to contact Jenny
Dufault or Rod Rothlisberger at:
dufault@mnstate.edu
rothlisb@mnstate.edu
Applied
Voice Instructors
Courses
available
MUS 152
Class Voice (1 credit)
- Fall: All Years
- Spring: All Years
- Class instruction. Designed
for students with limited background in applied voice
instruction. May be repeated for credit.
Private Voice
Lessons: Who is eligible for lessons? All music majors,
music minors, or any students singing in a choral ensemble.
MUS 154 Music Performance:
Voice Level 1 (1-2 credits)
- Fall: All Years
- Spring: All Years
- Individual or small
group (2 or 3) instruction and master classes. May be
repeated for credit.
MUS 254 Music Performance:
Voice Level 2 (1-2 credits)
- Fall: All Years
- Spring: All Years
- Individual instruction
and master classes. May be repeated for credit.
MUS 354 Music Performance:
Voice Level 3 (1-3 credits)
- Fall: All Years
- Spring: All Years
- Individual instruction
and master classes. May be repeated for credit.
MUS 454 Music Performance:
Voice Level 4 (1-3 credits)
- Fall: All Years
- Spring: All Years
- Individual instruction
and master classes. May be repeated for credit.
MUS 329 Men's Choir (1 credit)
- Fall: All Years
- Spring: All Years
- Open to all university
men without audition. Singers perform choral literature
selected from classical and modern styles. Maybe repeated
for credit.
MUS 329 Women's Choir (1 credit)
- Fall: All Years
- Spring: All Years
- Open to all university
women without audition. Singers perform choral literature
selected from classical and modern styles. May be repeated
for credit.
MUS 329 Concert
Choir (1 credit)
- Fall: All Years
- Spring: All Years
- Open to all university
students. Selection by audition. Repertoire spans Renaissance
to Modern styles. Annual tour. May be repeated for credit.
MUS 329 Vocal Jazz
Ensemble (1 credit)
- Fall: All Years
- Spring: All Years
- Open to all university
students. Selection by audition. Jazz-style repertory
with both a cappella singing styles and works accompanied
by rhythm section. May be repeated for credit.
MUS 329 Opera Workshop
(1-2 credits)
- Fall: Demand
- Spring: Demand
- Open to all university
students. Selection by audition. Performance of a variety
of opera scenes, as well as full opera production. May
be repeated for credit.
MUS 191 Diction
(2 credits)
- Fall: Odd Years
- Instruction for voice
students in the proper pronunciation of Latin, Italian,
German and French for solo song and choral singing. Introduction
to the International Phonetic Alphabet for notation of
speech sounds.
MUS 251 Commercial
Applied Voice (1-2 credits)
- Fall: Odd years
- Class instruction and
recording studio experience in commercial singing styles,
techniques, etiquette and vocal health. Prerequisite:
MUS 154
MUS 432 Voice Pedagogy
(2 credits)
- Fall: Odd years
- Will include physiology,
anatomy, teaching techniques, demonstration models and
a practicum. Will focus on social, educational, family
and peer pressure that affect the singing standards of
the adolescent interested in pursuing vocal performance
skills. Intended for majors and minors in music.
MUS 440 Music Literature:
Solo Song (2 credits)
- Spring: Even years
- Study of solo song literature.
Intended for majors and minors in music.
MUS 442 Music Literature:
Choral (2 credits)
- Fall: even Years
- Study of choral literature.
Intended for majors and minors in music.
MUS 446 Music Literature:
Opera (2 credits)
- Spring: Odd years
- Study of opera literature.
Intended for majors and minors in music.
MUS 450 Student
Recital (1credit)
- Fall: All Years
- Spring: All Years
- Special supplemental
applied study in preparation for public recital appearance.
May be repeated once for credit.
Voice
Syllabus
Course Description:
Individual or small group instruction and master
classes.
Objectives:
In order to develop vocal ability, each
student will:
1. Improve vocal technique, including breath management,
range extension, vowel formation, flexibility, and tone
quality.
2. Sing with good musicianship, including accurate pitch,
correct rhythm, appropriate style, phrasing, and attention
to score details.
3. Demonstrate a sense of musicality in the communication
of text and a sense of ensemble (singer/accompanist).
4. Perform vocal literature in foreign languages, namely
Italian, German, Latin, French and/or Spanish.
5. Develop an awareness of appropriate performance
practice, including differences of style among the various
periods.
Instructional Strategies: Private
(or group) lessons, individual practice, rehearsal with
accompanist, and performance at lessons, classes, recitals,
and final juries.
Course requirements: Prepare,
hear, analyze, and perform repertoire appropriate to the
student’s level and ability, and purchase music as
recommended by the instructor.
Evaluation: Grades are
determined by 1) preparation for lessons; 2) performances at
studio classes and recitals; 3) attendance at lessons,
studio classes, and voice recitals; and 4) final jury grades
Juries: Each student registered
in Music 154 and 254 will prepare two memorized selections
for a voice faculty jury at the end of each semester. Before
registration at the 354 level, an Upperdivisional Jury most
be passed which requires the preparation and performance of
three song/arias in three languages. At the 354 and 454
levels three pieces will be prepared and two pieces will be
performed. The student and his/her instructor will select
one and the jury will select one of the other two.)
Class Schedule: Performance/Studio
Classes on Thursdays at 12:00 p.m.
and a private lesson time
arranged with instructor.
Attendance Policy: Students are
expected to attend all lessons, all studio classes and all
voice recitals (See attachment). A limited number of absences
throughout the year are allowed for such things as tours and
out-of-town performances. For
ALL absences, please notify the instructor or call the music
office and ask the secretary to leave a note for the
instructor at least one hour prior to the lesson time.
Any lessons missed by the instructor for reasons other than
illness will be made up.
Special
Accommodations: Students with
disabilities who believe they may need an accommodation in
this class are encouraged to contact Greg Toutges,
Coordinator of Disability Services at 477-5859 (voice) or
1-800-627-3529 (MRS/TTY), CMU 114, as soon as possible to
ensure that accommodations are implemented in a timely
fashion.)
Voice Recital Attendance
Policy
Because a musician’s performance is
greatly affected by the observation of other performers, the
Minnesota State University Moorhead Voice Faculty strongly
concurs that it is to the advantage of music students to
attend several concerts each semester.
Therefore, attendance at all MSUM
faculty and student voice recitals is required each
semester. If for some reason you are unable to attend said
voice recitals you may attend two other choral/vocal
concerts in lieu of each voice recital missed. You may wish
to consider the following:
a) Vocal/Choral Artist Series Concerts at MSUM, NDSU,
and Concordia
c) Community performances by the F-M Civic Opera, F-M
Chamber Chorale, and F-M Master Chorale,
d) Faculty and Student Voice Recitals at other colleges
and universities.
A copy of the program and a brief typed
evaluation of all performances should be submitted to your
applied voice instructor in a timely manner. In any case,
all reports must be in your teacher’s hands by the day of
voice juries. Your account of the performances should
reflect your very best writing style. Failure to meet
this requirement will be reflected in the semester grade.
Attending these concerts/recitals will
also help fulfill the Music Department Convocation/Concert
Attendance Requirement for music majors.
STAFF
ACCOMPANIST POLICY
Using a Staff Accompanist for the
Entire Semester
Option A.
The fee for
academic year 2008-2009 for the use of a staff accompanist
for an entire semester is $330.00. This amount will be
charged to the student’s account. The $330.00 fee entitles
the student to
• 10 hours total
accompanying at lessons and rehearsals (accompanists will
attend all lesson and remaining time will be for rehearsals)
PLUS
• performances at studio
classes, in the MSUM concerto competition, and NATS
competition, preliminary and final rounds, if the student
participates
PLUS
• a recital screening and
performance
PLUS
• an end-of-semester jury
The $330.00
fee is all-inclusive: there is no additional charge if the
student participates in the concerto competition, gives a
recital, and has an end-of-semester jury. There is no refund
if a student does less than this.
Option B.
The fee for academic year 2008-2009 for the use of a staff
accompanist for an entire semester is $220.00. This amount
will be charged to the student’s account. The $220.00 fee
entitles the student to
• 8-10 hours total
accompanying at lessons and rehearsals (accompanists will
attend all lessons and remaining time will be for rehearsals)
PLUS
• performances at studio
classes, in the MSUM concerto competition, and the NATS
competition preliminary and final rounds, if the student
participates
PLUS
• an end-of-semester jury
There is no
refund if a student does less than this. The $220 fee does
not include preparation for a recital or recital screening.
Option C
The fee for
academic year 2008-2009 for the use of a staff accompanist
for an entire semester is $110. This amount will be charged
to the student’s account. The $110.00 fee entitles the
student to:
• 5 hours total accompanying
at lessons and rehearsals in alternate weeks
PLUS
• performances at studio
classes
PLUS
• an end-of-semester jury
There is no
refund if a student does less than this. The $110.00 does
not include preparation for a recital or recital screening
or any competitions or auditions.
Using a Staff Accompanist for Part of the Semester
Option D
After all requests
for the use of a staff accompanist for the entire semester
have been fulfilled, requests for the use of a staff
accompanist for part of a semester will be considered on a
first-come, first-served basis. Instrumental students often
do not need an accompanist for an entire semester yet do
wish to be accompanied for an end-of-semester jury or the
concerto competition. The academic year 2008-2009 fee for
partial semester use of a staff accompanist is $110.00. This
fee entitles the student to
• 3-4 total hours of
accompanying (lessons and rehearsals)
PLUS
• one end-of-semester
performance and jury (of the same musical work)
OR
• performances in the
preliminary and final rounds of the MSUM concerto
competition.
Instrumentalists tend to use an accompanist when they are
preparing major works such as a sonata or concerto. The fee
of $110.00 reflects the work necessary for the staff
accompanist to prepare these types of musical works.
Student Responsibilities
1.
Submit your course schedule to your assigned teacher
as soon as it is finalized (well before the first day of
classes, if possible). You and your preferred accompanist
should meet with your teacher as early as possible in the
semester to arrange a lesson time.
2.
Promptly purchase the music you are assigned and give
it to your accompanist as soon as it is available.
3.
Write down your rehearsal times and arrive promptly
for them.
4.
If you cannot attend a rehearsal due to illness,
contact your accompanist as soon as possible.
Missed Rehearsals and Lessons
No refunds
will be made for rehearsals or lessons missed by the
student, nor are make-up sessions guaranteed. In most cases,
staff accompanists will arrange to attend make-up lessons
and rehearsals if adequate advance notice has been given;
however, they are not required to do so.
Voice
Recital Guidelines
This document outlines all
necessary requirements prior to performing in voice recitals
at Minnesota State University Moorhead. The following degrees
require recitals:
Half
Recital
B.M. Vocal Performance
30-40 min. in length (8-10 pieces)
B.S. Music Education Vocal/Choral
30-40 min. in length (8-10 pieces) |
Full
Recital
B.M. Vocal Performance
40-50 min. in length (11-15 pieces) |
Graduate
Recital
M.A. Performance
50-60 min. in length (16-20 pieces) |
Vocal selections sung in
a variety of languages must be included on each recital. It
is also understood that you are expected, with the guidance
of your voice instructor, to organize your recital selections
in an appropriate order.
The following timeline is
intended as a guideline to best prepare you for your upcoming
recital:
1 Semester Prior
Recital:
- Begin selecting appropriate
literature for recital with voice teacher
- Select possible dates
for recital with voice teacher
- Check in music office
for any conflicts, and secure date/place (Fox Recital
Hall-CA150 AND Band Room CA100‹Noise)
3 Months Prior
to Recital:
- Give all recital music to accompanist in a 3-hole binder
2 Months Prior
Recital:
- Check with music office
that date is still secure
- Arrange for recital
to be recorded through music office (if applicable)
- Prepare for screening
- In addition to
your voice instructor, invite all other voice faculty to serve on your screening
committee, simultaneously selecting a screening date
and time, considering your accompanist's availability
(a minimum of three voice faculty must be present)
- Arrange for a screening
date, time and place (Fox Recital Hall in most cases)
in Music Office
- Invite all voice
faculty members to the scheduled screening
5 Weeks Prior
to Recital:
- Procure recital screening
form from music office
- Type draft of program
(see attached example) and make copies for faculty screening
committee
- Type translations for
foreign language pieces and make copies for faculty screening
committee
- Have all music memorized
(strongly recommended)
1 Month Prior
to Recital:
- Sing for screening committee
(entire program memorized-committee will select from draft
program)
- Have screening faculty
proofread program/translations
- If approved, finalize
program/translations through music office and specify
how many copies should be made
- Arrange for any reception
tables desired through music office
- Design poster (see attached
example)
2 Weeks Prior
to Recital:
- Request piano tuning
through music office
- Select appropriate attire
(possible rehearse in it; i.e., women in high heels)
- Distribute posters around
MSUM, Concordia and NDSU campuses
- Mail invitations to
special guests and faculty
- Arrange for desired
flowers
- Arrange for desired
catering
2-3 Days Prior
Prior to Recital:
- Reaffirm with music
office that tables will be set up for reception and that
the Recital Hall will be cleaned and cleared
- Photocopy "Quiet"
sign (3)
- Procure programs/translations
from music office and proof again
Day of Recital:
- Arrive 1-1.5 hour early
to set stage, piano, lights, dust piano, unlock doors
- Hang "Quiet"
signs outside Recital Hall
- Procure flower stand
from music office storage room
- Sing fabulously!!!
Recital Program Considerations
In creating your printed
program, translation sheet and recital poster, please keep
the following in mind:
- Titles should be printed
in the language in which the piece is sung
- Titles in the printed
program should agree with titles on the translation page
- Capitalization guidelines
for titles are as follows:
English:
Most words are capitalized
German: First words and nouns are capitalized
French, Italian, Spanish, Latin, etc.: Only first words
and proper nouns are capitalized
- For pieces sung in Russian,
Japanese and other languages without Roman alphabets,
use the following format:
Title (sung
in Russian)
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