LISTENING
Guillaume Du Fay: Nuper rosarum flores [Isorhythmic Motet; 1436]
Score: Anthology #14
CD3, Track 6
Length: 5:46
Translation of Text: Atlas
Anthology p. 489
For what occasion was this
motet written?
Why is the cantus firmus
appropriate for a piece for this occasion?
What is unique about the
use of the cantus firmus in this motet?
What is the proportional
relationship between the four taleae of this motet?
What is the symbolism behind this relationship?
OPTIONAL
Guillaume Du Fay: Ave regina caelorum (III) [Tenor Motet; Before
1465]
Score: Anthology #15
LP 661/Tape 2, Side A Length:
7:00
Translation of Text: Atlas
Anthology p. 489
1. For what occasion
was this motet written? What actually happened when this occasion
occurred?
REVIEW QUESTIONS
1. How did the definition of a motet change during the first
half of the fifteenth century?
2. Early fifteenth-century motets fall roughly into three styles.
What are these styles?
3. What were the two primary social functions of motets in the
early fifteenth century?
4. What is a tenor motet? How is it different from earlier
motets?
October 11
Notes: Dunstable | October
16 Notes: Notation | October
18 Notes: Dufay Chansons
October 23
Notes: Dufay Masses | October
30 Notes: Ockeghem I
November 6
Notes: Josquin I | November
8 Notes: Josquin II | Test
#2 Review Sheet
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Last Updated: October 24, 2000 by Eric Hung (hungeric@mnstate.edu).