MINNESOTA STATE UNIVERSITY MOORHEAD
MUSIC DEPARTMENT


MUSIC 341: MEDIEVAL AND RENAISSANCE MUSIC
FALL 2000 (Instructor: Eric Hung)
Notes for November 8, 2000

LISTENING
Plainsong: Pange lingua
        Score: Atlas Text p. 302        CD 4, Track 8            Length: 3:36

Josquin Desprez: Missa Pange lingua: Kyrie [2:54] (Anth. 42; CD4, Track 9)
        Score: Anthology #42            CD 4, Track 9            Length: 2:54
        How is this work an example of a paraphrase mass?  How is a paraphrase mass different from a cantus firmus mass?

Jacob Obrecht: Missa Fortuna desperata: Credo
        Score: Anthology #41            LP 145 or Tape 2, Side B        Length: 5:21
        What three cantus-firmus techniques did Obrecht use in this movement?
        How is the Credo structured?
        How is the Credo related to the Gloria?

OPTIONAL
Jacob Obrecht: Missa Fortuna desperata: Gloria
        Score: Anthology #41            LP 145 or Tape 2, Side B        Length: 5:56

REVIEW QUESTIONS (Focus on pp. 293-309)
1.  What is a "paraphrase mass"?  What is a "parody" or "imitation" mass?  How was the development of these two types of masses related to a musical style marked by "pervading imitation"?
2.  There are a number of masses written at the turn of the 16th century that are not cantus-firmus masses, paraphrase masses or parody masses.  Describe some of these masses.

October 11 Notes: Dunstable | October 16 Notes: Notation | October 18 Notes: Dufay Chansons
October 23 Notes: Dufay Masses | October 25 Notes: Dufay Motets | October 30 Notes: Ockeghem
November 6 Notes: Josquin I | Test #2 Review Sheet


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Last Updated: October 31, 2000 by Eric Hung (hungeric@mnstate.edu).