Digital Audio I
MUS 382
MWF 11:00-11:50, Spring 2003
Instructor: Dr. James Harley
office: CA 138; telephone 236-2001; email harleyja@mnstate.edu
Course Outline:
Digital Audio I is designed to introduce you to the world of sound, audio, digital audio, recording, editing, mixing, and processing. You will have assigned readings, explaining audio concepts and the various stages and elements involved in digital audio production. You will be evaluated on these readings through take-home quizzes and summaries.
Lab assignments will cover the range of techniques required to gain facility in workstation-oriented audio production. Due approximately every other week, this applied work will cover topics such as: recording to computer, soundfile editing, MIDI tracking and editing, sound synthesis, sound processing, mastering and burning to disc, encoding, and basic integration of audio into web design.
The other main element of the course involves directed listening. There will be a number of assigned listening tasks in which you will be asked to listen for particular qualities or production techniques. The selections will be drawn partially from specific recordings, and partially from sources you will research on your own. The criteria for evaluating or analyzing these selections will be provided. The intention of this component of the course is to guide you toward more focused, production-oriented listening, to develop your critical skills on the basis of what you hear.
Consistent attendance is critical in order gain familiarity with the equipment in the studio and the concepts introduced. You will be allowed three absences (excused or unexcused). After that, you will lose 5% of your grade for every class missed. After three late arrivals, you will lose 2.5% of your grade for each subsequent late arrival to class. You are also expected to participate in the classes, to demonstrate your understanding of the readings, and your grasp of the tools and techniques. It is important to make sure you are clear on procedures that are demonstrated in class, in order to make your own lab time most efficient.
Assignments must be completed on time. Late work will be penalized 10% per day (not per class) unless you have been granted an extension. To obtain an extension you need to contact the instructor by the classtime of the due date at the latest.
You are expected to spend at least 2 hours per week in the Lab, in addition to keeping up with assigned readings and listening. We will not schedule lab time unless it becomes necessary, but it is strongly recommended that you build a regular lab time into your own weekly routine. It will be possible to sign up for additional time to a limit of 6 hours in any given week. It is of course always possible to check the lab to see if there is a workstation open for you to use.
Textbook:
The Computer Music Tutorial, by Curtis Roads.
Required Equipment:
Evaluation:
| Quizzes/summaries (from readings) | 30% |
| Lab Assignments | 30 |
| Listening Assignments | 20 |
| Final Project | 10 |
| Final Exam | 10 |
Schedule (tentative):
Jan 15
Jan 17
Jan 20
Jan 22
Jan 24
Jan 27
Jan 29
Jan 31
Feb 3
Feb 5
Feb 7
Feb 10
Feb 12
Feb 14
Feb 17
Feb 19
Feb 21
Feb 24
Feb 26
Feb 28
Mar 3
Mar 5
Mar 7
Mar 10
Mar 12
Mar 14
SPRING BREAK
Mar 24
Mar 26
Mar 28
Mar 31
Apr 2
Apr 4
Apr 7
Apr 9
Apr 11
Apr 14
Apr 16
Apr 18
Apr 21
Apr 23
Apr 25
Apr 28
Apr 30
May 2
May 5
May 7
Final Exam: 12 noon, May 14