Phil 320/Art 320 -- Philosophy of the Arts
Fall 2009   

Mondays 6:30 p.m.  in CA 165

Theodore Gracyk 

Office: Bridges 359B     
Office hours: Tuesdays, Noon to 4 pm, Wednesdays, 9 am to Noon, Thursdays, Noon to 2 pm, and by appointment

Office telephone (with voice mail): 477-4089           

This course is an extended examination of the nature and value of art and artistic activity. The only prerequisite is an active interest in one or more art forms. The course examines the main theories of what art is, what artists are, and whether art and artistic creativity are human universals.

As indicated by the course title, various arts will be discussed. This is not strictly a course about the visual arts. However, the visual arts and music will be the main sources for examples.


REQUIRED TEXTS:

  • Theodore Gracyk, editor. Philosophy and the Arts: Selected Readings 
    (Course pack will be available from MSUM Bookstore)
  • Noel Carroll, Philosophy of Art: A Contemporary Introduction (Routledge) 

Learning Outcomes for Dragon Core (The Humanities – The Arts, Literature, and Philosophy)

  • Students demonstrate, in writing, awareness of the scope and variety of works in an area (or areas) of the arts and/or humanities.
  • Students explain how those works are expressions of individual and human values within historical and social contexts.
  • Analyze and/or critically evaluate works of human imagination and thought in writing.
  • Articulate an informed personal reaction to works in the arts and/or humanities.
  • Present informed aesthetic judgments.

This is a "middle cluster" course. It extends the writing and critical/multicultural thinking components of the "foundation four."


This is a Writing Intensive Course. The quality of your formal writing will affect your course grade. Most of your course grade is based on four formal essays that you write. The first of these will be submitted as a two-page draft and will be submitted to the instructor for comments before it is completed. Only the revised version receives a grade.

The course combines informal writing (short pieces of writing produced during class sessions), integrative formal writing in which you will explain, integrate, and evaluate material covered in the assigned readings (four essays), and one less formal essay (a final exam). 

Taken together, the integrative formal writing must be at least a minimum of 16 pages (4800 words). Therefore each essay must be a full four pages or more.
Complete information is available in back of your course pack.  Or go HERE

Robert Hughes, one of the most articulate and important art critics of recent years, has said this about the process of writing: “My main impulse for writing a book was to force myself to find out about things I didn't know. … Otherwise, why do it at all?” This point encapsulates my goals for having you write. Writing is a mode of exploration. There is no reason to write except to find out things you did not already know, including things about yourself, such as your own position on controversial topics. 

DUE DATES FOR THE FORMAL WRITING 

  • 2-page draft of 1st paper (on representation): Sept. 21
  • Completed rewritten paper due on Nov. 2 (attach draft to rewrite)
  • 2nd paper (on expression): Due on Oct. 19
  • 3rd paper (on form): Due on Nov. 16
  • 4th paper (on aesthetic experience): Due on Nov. 30

EXPECTATIONS ABOUT STUDENT WORK 

This is an upper level course. I will enforce the University's policies on student conduct. I expect all essays to conform to recognized standards of presentation, originality, and documentation of sources. 

The University expects all students to represent themselves in an honest fashion. In academic work, students are expected to present original ideas and to give credit to the ideas of others. The value of a college degree depends on the integrity of the work completed by the student. For more information, click here. 

You are strongly urged to ask questions whenever you feel the need.  
Remember that there are no stupid questions, merely unprepared professors.


GRADING: Your final course grade will be calculated using the +/- system.  

10%     Daily Real Question 

10%     Final Exam (one essay question) 

80%      Four papers  (4 or more pages each) 
            The first paper will first be submitted as a 2 page draft (no grade for draft)


DAILY REAL QUESTIONS

At the BEGINNING of each class, you must submit one "real question." Real Questions should reflect that you are thoughtful about the material you have read. Above all, they are questions to which you genuinely do not know the answer, about something that really puzzles you. Please follow the simple guidelines below when you write your questions:

DO: 

  • Ask about the reading material that has been assigned for that class session.
  • Focus the question. A rambling stream-of-thought reduces the value of your question.
  • Provide some clear indication of where the question arises in the text  (e.g., page number). Because we usually have more than one reading assignment, it is important for you to be clear which one is at issue in your question.

DO NOT:

  • Ask questions that call for biographical information
  • or that you could answer if you consulted a dictionary
  • or that you could answer if you checked the text again
  • or that are simplistic and could be answered by actually reading the work carefully.

READING ASSIGNMENTS    (These assignments are subject to change)

Read the assigned texts before class on the day indicated. With the first four chapters of Carroll we are not reading the whole chapter, so pay attention to the assigned pages.

 Always come to class prepared and have your "Real Question."

  • August 24 ~ FIRST CLASS (no reading assignment)
    REPRESENTATION:
  • August 31 ~ Carroll, Chapter 1 (pages 19-33) and Course Pack: Vasari and poem by Eliot, "The Wasteland"
  • September 7 ~ HOLIDAY (no class)
  • September 14 ~ Course Pack: Aristotle
    EXPRESSION:
  • September 21 ~ Carroll, Chapter 2 (pages 59-86) and Course Pack: Tolstoy and poems by Donne, Eliot, McCrae, Pound, and Blake 
  • September 28 ~ Course Pack: Eliot essay
  • October 5 ~ Course Pack: Hanslick
  • October 12 ~ NO CLASS: "Fall Breather"
    FORM: 
  • October 19 ~ Carroll, Chapter 3 (pages 108-136) and Course Pack: Bell; and literature by Joyce
  • October 26 ~ Course Pack: Kant and literature by Pater and Tennyson
  • November 2 ~ Course Pack: Bradley 
  • November 9 ~ Course pack: Stieglitz
    AESTHETIC EXPERIENCE: 
  •  November 16 ~ Carroll, Chapter 4 (pages 156-182) and Course Pack: Bullough, Twain
  •  November 23 ~ Continue discussion of aesthetic experience 
    DEFINITION & IDENTIFICATION: 
  •  November 30 ~ Carroll Chapter 5, Part I and Course Pack: Wittgenstein
  •  Dec. 7 ~ Carroll Chapter 5, Part II
  •  Dec. 14 ~ FINAL EXAM (essay exam)

Notice of disability services & special accommodations 

The Minnesota State University of Moorhead is committed to a policy of equal opportunity in education and employment and welcomes students with disabilities. We are prepared to to offer you a range of services to accommodate your needs.

However, students must accept responsibility for initiating the request for services. 

Students with disabilities who believe they may need an accommodation in this class must contact Greg Toutges, Coordinator of Disability Services at 477-2131 (Voice) or 1-800-627-3529 (MRS/TTY), CMU 114 as soon as possible to ensure that accommodations are implemented in a timely fashion.

Do not discuss your needs with me, your instructor. Talk to Greg Toutges and he will contact me.


This page last updated Sept. 28, 2009